Charles Bramesco

Director Alex Garland's latest is too preoccupied with its obvious subtext to deliver any genuine scares

The former couple bring the right amount of exhibitionism to the long-dormant genre

Director John Cameron Mitchell reflects on a provocative, endearing movie that was both ahead of and behind its time

In "Nightmare Alley" and "Licorice Pizza," B-Coop finally shows us what's lurking beneath all that leading-man bravado

Baker's latest film lends his trademark empathy and gentleness to a down-on-his-luck "suitcase pimp" in Gulf Coast Texas

"Licorice Pizza" sees the director at his most nostalgic, looking back at his California youth with trademark fastidiousness — but also a gauzy sense of optimism

Edgar Wright's latest feature completes a trilogy of films that cast the director's obsession with nostalgia in a new light

The scale resembles “Lawrence of Arabia” and “Star Wars,” but is there any substance underpinning it all?

Daniel Craig confronts office politics, groveling associates and — yes — sinister foreign baddies in his final turn as 007

Two months after 9/11, in a claustrophobic Chinatown apartment, a family does what families do

Hollywood loves a redemption story. But is it painting with too broad a brush?

Humanity may be beyond salvation, but at least we've got a good spokesperson

In lieu of hero-buildling and stylized violence, David Lowery's take on Arthurian legend invites you to soak in its vibes and chew the scenery

Fathers both real and surrogate play a prominent role throughout his films, though their relationship to his own remains mostly a mystery

After a decade of torturous singalongs, Jon M. Chu’s dazzling adaptation breathes new life into a storied American tradition

David White's breakout indie hit asks a tricky question: Could you fall in love with someone who probably isn’t a murderer, but might be?